The logic of fame most likely follows the same principles in the art world as it does anywhere else. Put a name on it: Dalí, the father of all Surrealists. Warhol, the inventor of Pop Art. Van Gogh, the founder of modern painting (and, of course, there was that thing with the ear). Monet, the very personification of the Impressionists and, for the sake of mentioning a female artist too: Kusama, the master of the dots. Let's ignore the fact that such pigeonholing is always represents a reduction of reality. If you follow this simple logic, then it's no wonder that Broncia Koller-Pinell is listed as one of the most important Austrian artists of the turn of the 20th century - even though her name has by now largely slipped into obscurity (hence Koller-Pinell's name consequently also appears on another list, namely Julia M. Johnson's "The Forgotten Women Artists of Vienna 1900").